An
interview with John Simpkins, Artistic Director of SharonPlayhouse, about their upcoming production of Nine Wives with music and lyrics by Douglas J. Cohen
(Barnstormer, Fest '08; Glimmerglass, Fest '00; The Gig, Fest '94) and book and lyrics by Dan Elish.
Based on the novel Nine
Wives by Dan Elish, this new
musical tells the story of Henry Mann, a 32-year-old bachelor who
discovers that the love of his life has met someone new and is about to get
married. What's worse, he's been invited to her wedding! What follows are
Henry's frantic attempts to find a woman he can take as his date – a potential
future wife – to prove to his ex-fiancée (and the world) that he too is ready
to move on.
How did Nine Wives find its way to Sharon Playhouse?
I had seen a reading of the
show a few years ago and really enjoyed it. It had always been on my radar –
and then Jayson Raitt, one of the producers on the show, approached me and
wondered if it might be a nice fit for Sharon. I had worked with Dan Elish
before…and I’ve admired Doug Cohen’s work for years. It seemed like a great fit
to join their team. They had done quite a bit of really good work on the story
since I had seen the reading and we had a terrific meeting about the things
they wanted to accomplish with a developmental production in Sharon.
What drew you to this
story?
I have a tendency to really
fall for stories about the everyman. The protagonist, Henry, is one of those
people who rarely shows up in musicals. He is, as he describes himself “a
perfectly acceptable athlete, an excellent musician, passably good-looking, and
disease free.” He just happens, like many people, to not be able to find
someone with whom he clicks enough to have a real relationship. I tend to
connect as a human with characters who are in the kind of turmoil that regular
people experience in their life.
Why is the show a good fit
for your mission and audience?
Wednesday, July 23, 2014
Festival Show Update: THE CIRCUS IN WINTER
This
month, we check in with Ben Clark, composer and lyricist of 2012 Festival
show The Circus in Winter, as he prepares for its premiere this
October at Goodspeed Musicals.
Meeting an elephant can change a man’s life. The Circus in Winter is a folk/rock musical inspired by the novel by Cathy Day, where legend and lore collide under the big top filled with disheveled hustlers, death-defying acrobats and a dreamer named Wallace Porter searching for redemption and grace.
A lot has been happening with the show since it was in the Festival. The biggest change is that Hunter Foster (Summer of '42, Fest '99) has joined the team as a bookwriter. Why did you bring on a bookwriter and what drew you and the rest of the team to Hunter?
Bringing Hunter on is a huge plus for us. We chose Hunter because we feel he can take the feel and spirit of the score, as well as the language of the source material, to give the piece a unified voice. Within the conversations about our first professional run, he agreed with a lot of feelings we had moving forward in regards to creative team, and was able to open some doors to benefit our creative process.
You've also made some changes to the score and story. What changes are you most excited about?
Meeting an elephant can change a man’s life. The Circus in Winter is a folk/rock musical inspired by the novel by Cathy Day, where legend and lore collide under the big top filled with disheveled hustlers, death-defying acrobats and a dreamer named Wallace Porter searching for redemption and grace.
A lot has been happening with the show since it was in the Festival. The biggest change is that Hunter Foster (Summer of '42, Fest '99) has joined the team as a bookwriter. Why did you bring on a bookwriter and what drew you and the rest of the team to Hunter?
Bringing Hunter on is a huge plus for us. We chose Hunter because we feel he can take the feel and spirit of the score, as well as the language of the source material, to give the piece a unified voice. Within the conversations about our first professional run, he agreed with a lot of feelings we had moving forward in regards to creative team, and was able to open some doors to benefit our creative process.
You've also made some changes to the score and story. What changes are you most excited about?
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