An interview with Michael A. Kerker, Director of
Musical Theatre at ASCAP, about their Musical Theatre Workshop, which recently
included the musicals Costs of Living by Timothy Huang, Dora: Fragment of an
Analysis of a Case of Hysteria by Larry Bortnik, Hardcore West Virginia by Mike Pettry & Claire
Karpen and Single Girls Guide by NAMT Fest alumni Tommy
Newman & Gordon Greenberg.
The ASCAP Musical Theatre Workshop is a development program for new musicals.
The workshop is led by its artistic director, Stephen Schwartz (NAMT Fest '96–Children of Eden) and is coordinated by
Kerker. Their goal is to nurture new composers and lyricists and to help them
shape and focus their projects in the early stages of development. The annual
workshop is held in New York, usually in the early spring, and the Los Angeles
workshop (presented in partnership with DreamWorks Animation) is held in February.
How do you select the
musicals to be presented in the workshops?
Writers are asked to submit 4 songs from their musical, a copy of the lyrics
with plot placement information and a brief synopsis of the libretto. We
receive approximately 125 submissions for each workshop. I listen to all
submissions and usually send a dozen or so of the more promising ones to
Stephen Schwartz. He then listens to these finalists and ultimately we select 4
projects for presentation in the workshop.