Last month, we caught up with alumni Richard Oberacker and Robert Taylor about the development of their 2013 Festival show, The Sandman, with Playing Pretend and their upcoming production in Denmark.
Drawn from the more nightmarish fantasy of E.T.A. Hoffmann, author of The Nutcracker, comes a new and darkly comic musical tale: The Sandman. When Maria, the wife of an ingenious German clockmaker named Albert Strauss engages a new nanny, Fraulein Kaeseschweiss, to care for the two children, Nathaniel and Theresa, a series of bizarre and unnatural events begins to unfold. As Theresa falls mysteriously ill, a flamboyant and unconventional physician, Dr. Copelius, is summoned upon the nanny's recommendation. The doctor comes with a young ward in tow, Clara Stahlbaum, recently orphaned after her entire family was incinerated in an inexplicable Christmas tree fire. And as the Strauss family is thrust ever deeper into chaos, the sinister and Machiavellian forces at play are gradually revealed—forces from which only the children may be able to save them.What was the feedback like after you presented at the Festival?
The feedback immediately following the presentations was very strong. This included members approaching us directly after the performances and at the followup "meet the authors" events. There were certainly a lot of questions about how the story ended, the true "fear factor" and the appropriateness of the material for various age groups. From our point of view this was a perfect response because it meant we had used the presentation to introduce the material, but not give the whole thing away and to make people curious about whether or not the show was right for their theater. It seems to us that the best thing an author can do is to present an excerpt that makes the members want to read and listen to the complete work.
