A guest blog entry from Ben Clark, composer/lyricist for The Circus in Winter, about getting ready for the Festival.
In
this week of rehearsals, we have seen our production grow up right before our
eyes. The Circus in Winter has had nine staged readings in
various forms over its three years
in existence and one fully staged production,
all at Ball State University, where the concept to bring the novel to
life on stage was born.
But this is New York City, and we have the privilege of
casting actors for the first time in our show's young life. Not only age-appropriate, but also Equity
members with Broadway credentials. You just can't argue with a deal like
that.
| The Circus in Winter in rehearsal, photo by Ben Clark for NAMT |
For myself personally, it is a new territory in that I have
always played the guitar and led most rehearsals for the previous readings and
production. Thanks to Music Director Matthew Webb and guitarist Eli Zoller, I
won't be required for those roles at NAMT. It was a fearful, uncomfortable
beginning in my head as I approached our rehearsal space on West 18th Street,
but I was quickly reassured by Matt's careful interpretation of my pieces. He, as well as the rest of our production team and the
NAMT festival coordinators, all have a presence
in rehearsal that suggests a nurturing of new work. They all want your material
to be the best it can be, and that pulls practicality and honesty out of these
professionals.
Each added experience tops the rest. Victoria Bussert joined