An
interview with the writers of The Trouble with Doug, Daniel Maté and Will Aronson, about the developments on their 2010 Festival show
as it prepares for a production at NAMT member theatre Arts Garage down in
Florida this spring.
A contemporary re-imagining of Kafka’s
"Metamorphosis," The Trouble With Doug is
a hilarious and moving new musical about a healthy young man who transforms
inexplicably into a giant talking slug. Thrust together awkwardly under the
same roof, Doug, his family, and his fiancée all struggle to understand and
respond to this strangest of crises.
Last time we checked in
with you, Doug was heading to Palo Alto, CA for TheatreWorks'
festival. How was that process for you and the show?
We had a great time in Palo
Alto. TheatreWorks provides a unique workshopping opportunity – a chance to
perform the show in front of an audience, rewrite, re-tech, perform again,
and then repeat that process three times. You can really take the show into the
laboratory and experiment. (There’s really no better way to see what works and
what doesn't than to watch the show in front of actual people a
few times!)
What changes did you make
to the show while in California?
After watching the show, we felt that our titular character was under-developed
— so we added several new musical moments for Doug throughout the first act to
clarify his arc and round him out a bit more. We also tried out a number of new
scenes for Doug’s family, and also ended up with a slightly gentler ending.
You are currently rewriting
the show for a production down at Arts Garage in Florida. What are your
goals with this rewrite?
We’ve both been busy with
several different projects, so this is a great opportunity to get back into Doug world and
implement the changes we've long discussed. Aside from
continuing to flesh out the rewrites we began in Palo Alto, we’re excited
to upgrade the score so that each song moment is as dynamic and memorable as
possible! In addition, true to that old musical adage that openings often come
last, we’re writing an entirely new opening— replacing a song we’ve had for a
long time with what we hope will be a new and more energetic start to the show.
What are your desired next
steps for the show after Florida?
It might sound strange to say when a show is about a giant talking slug and his
crazy family, but we’ve felt, especially since TheatreWorks, that we have the
basis here for a really accessible, crowd-pleasing show, one that could connect
with a lot of different audiences and fans of new musical theatre. We’d love to
get more theaters interested in the piece, and hopefully license it. A
New York production would also be fabulous of course!
Why should people head down
to Florida to check out The Trouble with Doug this spring?
We’ve got a great local director (Margaret Ledford), a terrific cast, and a
band that features some fun low woodwinds and a cello. Come check it out! It’ll
be slugular, we promise.
For more information about
the show, please visit www.artsgarage.org
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